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#EVENTIDE H910 HARMONIZER SCHEMATIC MANUAL#
#EVENTIDE H910 HARMONIZER SCHEMATIC MAC#

TimeSqueeze – TimeSqueeze allowed for speeding up or slowing down while maintaining constant pitch.

This was useful for double-tracking emulation to make the doubled vocal sound more natural and less identical to the original.

Random Mode – Random mode introduced random variable delay at a range of 0 to 25 milliseconds.

Flange – By including a Flange Mode, the H949 was recognized as one of audio’s first “multi-effects’ products.

Repeat – The H949’s Repeat function broke new ground by having the ability to both time-reverse and pitch-change the ‘captured’ audio.

Combined with the ability to feedback around the reversed, delayed, and pitch-changed segments, all sorts of new sounds became possible.

Reverse – The H949’s Reverse mode was analogous to cutting tape into 6-inch segments (~400 msec), reversing each segment, and then splicing each reversed segment in the original order. Pitch Control was active in Reverse mode so that the user could change the pitch of the reversed segments.

The H949’s display added a fourth digit and 0.1% pitch resolution and became useful as an instrument-a precision tool for tuning and tempo control.

MicroPitch – The H949 had a dedicated “MicroPitch” mode so that engineers could use it for authentic double-tracking emulation by making tiny pitch changes.

In 1979, autotune was still a decade away so this process was a hands-on, real-time performance.

Engineers welcomed this new capability and found that they could play back a problematic track and, while monitoring, twist the big knob at the right time and by just the right amount to bring a wandering pitch in tune. The H949 was the first pitch-change box designed to be a tool for tuning it had the necessary fine resolution and the ability to analyze audio in real-time and make decisions to avoid audible glitches. One of the most important improvements to the H949 was taming the H910’s “glitch.” The H949 applied advanced technology capable of de-glitching and came with 2 algorithms to choose which splicing method to apply. Universal Audio is the world’s leader in Thunderbolt audio interfaces, analog recording hardware, and UAD audio plug-ins.

Our marketing message was simple-“more of everything.” It represented a major advance in the very notion of an effects box and introduced the terms algorithm, random, and micropitch to the audio lexicon.

The H949 benefited from the rapid pace of IC development with improved audio specs and much more. The H949 used random access memories (RAM’s) for high quality, dependable performance. Includes operating instructions and technical information including schematics, board layouts, parts list, chip info, alignment and test procedures, circuit description and troubleshooting procedures.

#EVENTIDE H910 HARMONIZER SCHEMATIC MANUAL#

The "Universal Audio" name, UA "diamond" logo, "Apollo," "Apollo Twin," "UAD," "Powered Plug-Ins," and "UAD-2 Powered Plug-Ins" are trademarks of Universal Audio Inc.The Eventide model H949 Harmonizer, successor to the H910, is a combination digital delay line, pitch-changer, and all-around special effects unit. Welcome to the GearSlut Store Eventide H910 Harmonizer Instruction Manual EVEN-HARM-SVC-MAN - Complete instruction manual for the Eventide H910 Harmonizer. Product features, specifications, pricing, and availability are subject to change without notice. Headquartered in Scotts Valley, California, UA is focused on merging the best of vintage analog and modern digital technology, following its rich recording heritage and motto, "Analog Ears. UAD plug-ins deliver rich, analog sound quality that would be difficult or impossible to achieve with native recording systems.įounded in 1958 by recording pioneer Bill Putnam Sr., and refounded in 1999 by Bill Putnam Jr., Universal Audio is best known for its classic, hand-built analog hardware and advanced UAD Digital Signal Processing technology for recording, mixing, and mastering audio.

#EVENTIDE H910 HARMONIZER SCHEMATIC MAC#

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